writing
Filling the Duterte Vacuum
Whether or not Vice President Sara Duterte is removed from office, the general perspective that this is merely political drama and not a feat of justice needs to be given serious attention. Rather than treating the Dutertes as a phenomenon of fanaticism and delusion, the opposition needs to focus on aspirations among the country’s poor majority...
Women's Right to Rest
Fascism germinates through the exploitation of women, obsessing over defining our appropriate role in the world. This period of hyper-capitalism has been violently pulling women between destinies: to be or not to be a mother, to have or not to have a career. The woman is constantly burdened by her choice because the empowered woman must have it all. Greta Gerwig’s Barbie hit a pain point when it put on the big screen the contradictory, impossible expectations women constantly need to work to meet. In the backdrop of the film’s production was a pandemic that intensified a festering by-product of the modern world: that women’s dignity is conditional on their labor, making a cage of motherhood and livelihood. Co-opted by capitalism, so much of the narrative of women’s right to work has focused on what can be extracted from women, dislodging feminism’s true core: the inherent dignity, the power to decide what matters. Contrary to the demand that women prove their worth through constant labor, rest offers more than reprieve — it provides the radical right to decide what to make of one’s singular life.
The Condition of the Migrant Body: A Review of Monstress by Lysley Tenorio
In an interview with The Paris Review (2012), Filipino-American author Lysley Tenorio narrates how his family would use the Tagalog word uwi or to return home whenever they talked about the Philippines. What for him was a trip, for his family would be a journey to the homeland. He was brought to America when he was 7 months old, and could not feel the sense of loss his own parents had felt about the Philippines. He called the country ‘a phantom presence’ in his childhood home, a lingering haunting from a history that is not his own.